Annotation
The work consists of a porcelain sculpture for interiors in the form of an animal or human figure, a theme which has its special place in the history of visual culture. Rather than adopting natural motifs, the collection instead features paraphrases on the figure, for example a ballet-dancer or a deer, and thematizes the artificial symbols of our civilization. We live surrounded by such symbols, and consciously continue producing more, although we know very well that they may bring about the end of our civilization, as well as the entire planet. They seem out of place on their porcelain pedestal – or is the pedestal rather the perfect place for them?